Confluence and convergence

It’s been a while between posts and that’s merely due to life and its many facets. I try hard to keep all of the things in balance, but sometimes that’s not possible. Given we can only manoeuvre settings around 24 hours in a day (life is a zero-sum game), that means some of our favourite things need to go on the backburner while we prioritise the more important things.

Too many things!

While running too hard I came down with an infection that took me out of the picture for two days of forced rest. This happens, apparently. Slowing down for a rest meant my brain could drop down a gear or two and ponder some bigger, larger ideas that have been coalescing in my subconscious. Those ideas are the spines of my two new screenplays. This got me thinking about words like:

Confluence – a place where two rivers or streams join to become one; a situation in which two things come together or happen at the same time (Merriam-Webster)

and

Convergence – the act of converging and especially moving toward union or uniformity; especially:  coordinated movement of the two eyes so that the image of a single point is formed on corresponding retinal areas (Merriam-Webster)

also

Conflux – which Merriam-Webster defines as synonymous with confluence; to me it means something altogether different. It’s nearly time for the annual Canberra speculative fiction conference! (Hope to see you there: 30 Sep-3 Oct, Novotel Canberra)

So, why am I writing two screenplays? Well, I found my muse. As I tweeted today, while technically there’s no such thing as a male muse (just ask Wikipedia), I certainly found mine in Richard Dormer. If you don’t know him, he’s an actor from Northern Ireland who stars in Fortitude, the genre-smashing psychological thriller series from Sky Atlantic/Pivot. His incredible performance as Norwegian sheriff Dan Anderssen got me right in the feels and, as a consequence, my writerly imagination has been obsessed with him since about the sixth episode of Season 1 (the next season is in post-production and should air in January 2017). You may also know Dormer from Game of Thrones but I don’t watch it (and neither does he, apparently).

Back to the muse part. So, I was having huge trouble picturing the antagonist in screenplay #3, which made it really hard for me to visualise the interactions between him and my protagonist. The more I saw of Dormer, the more I realised he could be my antagonist. But I wanted to write #2 first (it’s my second warm-up – a romantic drama told as a linear narrative) before I moved onto #3, which is a fractured narrative, post-apocalyptic drama set in the near future. It’s going to be the most technically demanding work I’ve ever written so I didn’t want to get ahead of myself. As it turns out, the muse – once found – does not want to be silenced. I can hear Richard whispering in my ear, in his Irish whisky voice, ‘Shouldn’t you be writing?’

Shouldn't you be writing

So I have been! He’s also making an appearance in screenplay #2, where I was looking for a contained but magnetic actor to play a small but significant role that takes the movie to its climax and back down the other, satisfying side. Yes, I can see Richard as Michael and that’s pretty much all it took for the gaping hole at the end of the penultimate act to close up. I haz a complete story!

I also *may* have been doing some productive procrastination in doing some *research* for my forthcoming trip to the US. I will be visiting Charlevoix and other lakeside delights, on Michigan’s mitten, in October – that’s NEXT MONTH – and I have been trying to work out the best way to get from Mackinac Island (in Lake Huron right up past the top of the Michigan mitten between the lower peninsula, upper peninsula and Canada) back down to Chicago to catch my flight across to Boston. I had hoped to get the ferry back to St Ignace or Mackinaw City (depending on where I leave my car) and then drive around the west side of Lake Michigan, but since I only have one day to do it, it’s a bit far at 8+ hours driving. It’s around 6.5 if I travel back down through the mitten, so that’s what I’ll have to do. I need to be at Chicago Airport in plenty of time to catch my flight so I don’t want to risk being late!

After leaving Michigan/Illinois, I’ll spend a couple of days in Boston, train down to NYC to catch up with a very good friend, visit Washington DC for a couple of days before heading back to New York for a three-day masterclass with the doyen of screenwriting, Robert McKee. Now that is something I have been looking forward to for a long time. Please make sure you look out for me and say g’day if you’ll be there too.

So now I have procrastinated successfully by updating this website and researching my driving tour, I can hear Richard getting impatient. Back to the screenplay!

Do you have a muse? If so, please share with me in the comments who yours is and how you found them (and what power they have over your writing).

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About Lily Mulholland

Writing upside down
This entry was posted in Conflux, For the screen, On writing, Workshops and tagged , , , , , , , , , , , , , , , , , , , . Bookmark the permalink.

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